Bronze Sculpture

Untamed

This piece signifies a woman's journey to live authentically and unapologetically, leaving behind the spaces that make her feel small, trapped and numb. She embraces freedom, strength, and grace while exploring human limits.

About

Dorri Buchholtz

Dorri Buchholtz is a sculptor living and working in Atlanta, Georgia. She discovered her true passion for sculpting later in life under the instruction of internationally known sculptor, Martin Dawe. What started as a hobby evolved into a full time career, a “second act” with no agenda, no pressure, and a tremendous amount of artistic freedom to explore and experience. Her work explores the full spectrum of emotion. Using posture and gesture, she captures the rawness and beauty of our shared human experiences from joy to suffering. Dorri finds inspiration in the empowerment of women and the subject of much of her work is the female form. Dorri is represented by both physical and online galleries in Atlanta, North Carolina, New York and Florence, Italy. She exhibits at juried art shows and her work can be found in private collections both nationally and internationally.

Dorri Buchholtz

describes their creative process

With a long career in sports medicine and sports performance, I have always been intrigued by the body, its form and the stories it tells. The relationship between my background in sports performance and my creative process is in honoring those stories. I am drawn to the fluidity of the human body. I am particularly interested in the female form, its grace and strength as well as its emotional and physical flexibility. The body is never mute. Through posture and gesture it sends out powerful messages of vulnerabilities, insecurities, courage and self confidence. My work gravitates towards this communication. It is highly rewarding to be able to be take something intangible and communicate it in a way that can be experienced by others. I find the process of creating cathartic. Often times I allow myself to start with a block of clay with no idea of what may emerge from it. I start moving the clay around until a form takes shape and pay close attention to what I feel until I have a vision of what it could be. And while the outcome is not yet known, I indulge in its potential. Once the work is complete, it is either fired and finished in acrylics or cast in composites or foundry bronze.