acrylic and collage

Beach Bay

I wasn't trying to make a landscape with this piece but it turned out that way. I was just enjoying the curved mark making and then stood back and it looked complete! It has a coastal feel but also is very green and lush like the pacific northwest.

About

Jessalin Beutler

I grew up in small dairy towns north of Seattle surrounded by nature and animals. It was pretty remote, before the internet and with little access to TV. A lot of my friends didn't have it at all. Writing, reading, music, sports, crafts, and hanging outside was what we did. I was gifted a Polariod camera one year and promptly put up a photograph on my bedroom door, proclaiming my new business as a photographer. My dad gifted me his old analog camera shortly afterward, I think I was about 10. My parents had a business doing patent drawings digitally that later developed into a graphic design business in the 90s. This was when very few people had computers and the tech industry in the city was just getting going. My mother always had horses and got into breeding Warmbloods. So often weekends were either spent doing chores and repairs around the house or on the road to shows, always with a camera in hand. I was a valedictorian at my high school and went to the liberal arts school Whitman College, not really sure what I wanted to do as a career. I studied Philosophy, but was always taking an art class (or two) each semester, just to keep me sane in the academia world. It wasn't until my junior year when I realized that art was it for me. Another year there and I would have double majored but I settled for just the art minor and the decision that pursuing art and making would become my lifelong focus. Through the years my work has taken many forms. It began as a way to educate myself more since I didn't go to art school. Drawing, photography, printmaking, graphic design, illustration, paper making, textile design are some of the mediums I've dappled with but painting is number one now. My process is personal and intuitive. Art and making are still incredibly grounding and painting is my favorite way to get clear on unconscious motives and feelings. It helps me to connect, and be present to innate knowledge that we all carry around within but may not be aware of. In doing so, my work can be raw, emotional and energetic yet also beautiful and contained. We are all of these things.

Jessalin Beutler

describes their creative process

My process is driven by emotion and impulse. I pick up the color and tool that best suits my mood and make little moves throughout the day. My studio is in my home, so I am constantly walking in and out looking and assessing, thinking and feeling the works. I will also take the piece around the house seeing the work how it looks outside the studio. When I have a grouping I'm happy with, I photograph and name. I try and release new works on or aroung the new moon. So before, when the moon is waning, I start reflecting on the process, the energetics and astrology and putting together insights that take on a larger meaning.